Upon a small scale may be mentioned those of Tottenham Court Road, Berwick Street and the Minor Theatre, Catherine Street, Strand; in the two latter of which not less than ten different companies perform. Tickets are delivered gratis by the performers to their friends, and are procured, in their respective neighbourhoods, without much difficulty.
The Picture of London, 1810
[The Minor Theatre, a private theatre for amateurs, went through a variety of incarnations and uses, including as the Harmonic Theatre in 1816, the Theatre Mecanique in 1820, the Argus Subscription Theatre, the Theatre of Variety in 1823, the Thespian Institute in 1830, before becoming the Royal Pantheon in 1839, then the Little Catherine Street Theatre, and the Gem in 1861; then the Strand Musick Hall. See Lost Theatres of London by Raymond Mander and Joe Mitchenson for more information]
This establishment, which is promoted by a
Joint Stock Company (The Strand Musick Hall
Company) after numerous delays, opens to the
public to-morrow, though probably it will never
have a more crowded or attentive audience than at
its inauguration last evening.
Continental Gothic is the basis of this eclectic
design, and if the architect has succeeded in erecting
a structure which, departing from recognised codes,
outrages none, he trusts that unity and comprehensiveness in the execution of a difficult task will obtain
for him a just appreciation of his work.
The main building as it at present exists, which
constitutes what may be called the Hall proper,
covers ground running E. and W. from opposite the
Lyceum Theatre, in Wellington Street, Strand, to
Catherine Street, where it has a present frontage of
seventy feet, from which to Wellington Street the
depth is over a hundred and ten feet.
The Company have acquired the land upon which
will ultimately extend the main building to Exeter
Street on the N., where it will possess a frontage of
about sixty feet.
The Hall is approached from the Strand by a
building ninety-six feet long, with a frontage of
thirty-six feet to the Strand, which contains besides
the spacious corridors and grand staircase saloon
(forming communications from the Strand with all
parts of the building), commodious and elegant
dining and smoking rooms, with waiters' serving
rooms, and lavatory and dressing rooms for visitors
to each; and immediately communicating with the
Hall proper on the ground, balcony, and box floors,
refreshment bars or buffets, which will be used as
luncheon bars and for the service of the dining-rooms
during the day, and as buffets for the use of the Hall
in the evening.
The building has been erected from the designs
and details of Mr. E. Bassett Keeling, of Gray's Inn,
and under the superintendence of himself and Mr.
H. H. Collins, the joint architects to the Company.
The whole of the coloured decorations, which are of~
a very novel and elaborate character, have been
executed from the special directions of Mr. Keeling,
under whose independent control the whole of the
decorative portions of the building have been carried
out. Among those connected with the building we
may mention that the general contractors were
Messrs. Trollope and Sons. The whole of the gas
arrangements have been executed by M~ssrs. Defries
and Sons. The ventilating apparatus, lifts, etc
have been under the care of Mr. Wilson W. Phipson
C.E. All ornamental wrought iron work in the front
building is by Hart and Sons, and the copper folia
tions are by Brawn, of Birmingham. The painting
and decorations have been executed by Mr. Geo
Foxley, and the greater portion of the stone carving
has been undertaken by Mr. Tolmie.
The ventilation of the whole structure has received
the greatest attention at the hands of Mr. Wilson
W. Phipson, and it is hoped that a degree of success
has been secured which will render the Strand
Musick Hall the best ventilated public building in
London.
Vocal and Instrumental Operatic Selections will
fill a prominent place in the nightly programmes,
and will be arranged upon a novel plan, calculated to
afford full scope at once for the talent of the singers
and for the skill of the orchestral performers. The
symphonies of the Great Masters will occasionally
be rendered, but at the same time the light and
effervescent works of the composers of the hour will
receive their full share of attention. The aim of the
Directors of the Strand Musick Hall will be to please
all tastes, save only those which are depraved. They
purpose to enable the classical amateur to revel in
the emanations of the loftiest genius - the lover of
sparkling dance music to drink in the capering
melodies to his heart's content - the worshipper of
grand lyric inspirations to depart well satisfied with
his treat - the adorer of the simple ballad to feel
that he has had his full share of enjoyment - and the
patron of comic singing to recognise that his special predilections have not been uncared for. In the last-
named department it may be almost needless to say
that every feature introduced will be jealously and
rigorously scrutinised, and carefully kept free from
anything that could shock the most refined taste or
grate upon the most delicate susceptibilities.
Smoking and drinking have, in the establishments
heretofore called Music Halls, sat elbow to elbow -
with harmony. The Directors of the Strand Musick
Hall have thought it fitting to bestow this designation
upon their building, inasmuch as it is a Hall devoted
to the performance of music - but as the music given
will be of a superior class, they expect from their
visitors an equally exalted etiquette. Creature corn-
forts - both nicotian and alcoholic - will be found
at the spacious buffets, and in the corridors and
saloons which surround the Hall. Visitors will have
all the facilities they could desire for their puflings
and their potations, but not within the Hall, which I
is consecrated to music.
From a circular distributed in the Hall by Messrs. -
Defries we extract the following:
The novel system invented and patented by Messrs.
J. Defies and Sons, who have had the entire management of everything concerning the lighting of the
building, will form one of the prominent features of -
the Hall, and cannot fail to create a total innovation
in the system hitherto adopted in lighting Theatres,
Concert-rooms, and other large buildings. This new
system combines that great desideratum of allying
with the nearest approach to a soft daylight a system -
of thorough and complete ventilation throughout the
building. Hence to Messrs. J. Defries and Sons is
due the full credit of having overcome those difficulties which had hitherto arisen in lighting, and the
same time introducing a proper system of ventilation;
and their patent is destined to form a new era in the
principle of lighting. The numerous audiences which
will no doubt visit this new resort of amusement will
fully appreciate the beautiful amalgamation of
colours produced without there being any show of
gas. The light is entirely given from the top of the
building, and by a combination of coloured sheets
of glass and prisms, a soft and radiant light is thrown
into every part of the building. The system of
ventilation is so perfect, that a continual current of
fresh air is introduced throughout the building,
whilst the impure air, as well as the heat, is carried
away through the top of the building by the powerful
current which is established.
To convey a slight idea of the vast importance of
Messrs. J. Defries and Sons' new patent, it will be
sufficient to state that there are several thousands of
burners. The lighting chamber contains upwards
of 350 ventilating tubes, the whole of which are
conducted into enormous shafts, in which a proper
vacuum has been established, thus causing an unvarying upward current, so that heat as well as the
vitiated air is constantly conveyed out of the building.
The thorough lighting of all our principal Opera
Houses, Theatres, Music Halls, etc., bear full testimony to the vast resources of Messrs. J. Defries &
Sons, but they have now in this new method surpassed anything hitherto
produced.'
The Era, 16 October 1864