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[-264-]
WOMAN'S WORK.
PUBLIC attention has been deservedly drawn of late to
the very important fact that the industry of this great
country is practically closed to the educated element of
Englishwomen. Beyond the mere servile occupations, to
the English lady who has been tenderly nurtured, but who
is reduced to distress by misfortune, there remains, indeed,
a sorry choice of professions, descending in very rapid steps
from the governess to the sempstress. The boys of a
large family may, and do, push their fortunes in the
world in a hundred directions. The girls, on the contrary,
find every door shut against them. To them, as a class,
delicacy of eye and hand are gifts with which the Almighty
has endowed them, but which we Britishers steadily ignore. We allow our women to
toil in the fields, and to do the work of brute beasts in coal mines; but when
it comes to tasks for which the delicacy of their organization is particularly
adapted, we find no place for them in our industrial economy. Nay, it is boldly
asserted, that their employment would only result in displacing the labour of
the other sex. If this were a valid objection, our argument
would be at an end. But it must be evident to
all, that nature herself has drawn the line between male [-265-]
and female labour; it is a nice question of physical power.
When we see half-a-dozen stalwart young men selling
ribbons in a mercer's shop, there is a palpable waste of
power, and we feel almost inclined to ask for only one
hour of the old days of the press-gang. On the other
hand, when we see women in the fields, bent double with
hoeing in the mid-day sun, we feel that they are overtasked.
The Anglo-Saxon, it must be remembered, is not
like a. French tradesman, who is content to sit and
smoke in his thrumb night-cap, whilst his wife does the
work. He must be doing, and if not at home, he pushes
out to the new empires he has conquered and built up
by his energy. With the better class of educated women,
however, it is far different. In the first place, it must
be remembered, that there are many hundred thousands
in excess of the young men, an excess which every year will probably increase as our male population swarms out
in increasing numbers to our colonies. The females of
the mere working-classes are amply provided for in our
great manufactures and in domestic service; but the
question is, what shall be done with the young daughters
of our respectable households. The time inevitably comes
when the bread-winner that has sustained them in comforts
is called away; probably leaving but little provision
behind him, and the happy little circle is broken up, and
its members have to commence a fierce struggle face to
face with the hard world. According to Mrs. Grundy,
there are but two situations which young ladies so situated
can possibly seek that of governess, or nursery governess,
according to the nature of the education they possess.
Even here the "market" is fearfully overstocked. If [-266-]
they answer an advertisement for a situation, the advertiser
meets them with the chilling fact, that she has
already received a hundred applications before luncheon-time.
It is clear that the first thing to be done is to
educate this tyrant society, this terrible Mrs. Grundy, who
rides upon our shoulders as pitilessly as ever the Old Man
of the Sea did upon those of Sinbad.
If it were not considered such a horrible thing for an
educated woman to do for money what she may do for
amusement with applause, the difficulty would be at an
end, and it would speedily be discovered that in the field
of intelligent labour the female organization would be
enabled to work harmoniously beside that of the other sex,
and, in many cases, to rival it. With regard to the higher
class of occupations, there can be no doubt that the closed
door is gradually giving way. We see light between the
chinks, and before another half-century it will be open
wide. Let us take the art of design, for example. Up
to the present time, no woman ever dreamed of initiating
even in needlework anything beyond punching holes in cambrick and then sewing them up again. Take the piece
of embroidery out of your sister's work-box, good reader,
and see what you can make of it — if there is head or tail,
form of beauty, rectilinear or curvilinear, to be found in
it, your sister must be a rara avis. Our mothers and
grandmothers, as we know by those prized pieces of silk and worsted-work which
still hang on the walls and fade
gradually a way in gloomy comers of upper bedrooms, were
not an atom in advance of ourselves. How could it be
otherwise? Art culture, as a matter of national education,
is only just beginning to be recognised. In the Great [-267-]
Exhibition of 1851, we suddenly discovered that we were
utterly deficient in both form and colour; but since then
we have gone to work with a will. In every important
manufacturing town in England there is now a Government
School of Design, spreading a love of art over the
entire country, and educating the eye in the appreciation
of all beautiful forms, and practising the hand in their reproductions.
These schools are attended by fully as many
ladies as gentlemen. The visitor need only visit one of
these schools to be convinced that intelligent female labour
in these admirable establishments is educating itself for
scores of occupations entirely new to this country. As it
is, we are indebted to the French for all our first-class
designers. Most of the great manufacturers interested in
the production of articles in which there is an Art-element,
employ a French designer at a very high salary. We have
no hesitation in saying, that in future the Schools of Design
will supply native artists for these posts; and not only in
designing for our textile fabrics, but in modelling for the
goldsmith, and the statuary, female labour — through this
door opened for them by the Government — will speedily flow in. We have heard many intelligent men doubt the female aptitude for the fine arts; and, certainly, as long
as we could only point to the works of an Angelica Kauffman, it was difficult to gainsay them; but Rosa Bonheur
has cleared away that difficulty, and has proved that the
female brush can paint with the vigour of Snyders and
the poetical grace of Landseer. The reason why they have not hitherto challenged
the men in the field of art is plain enough.
They have never been trained. The young girls of the
[-268-]
upper ten thousand are indeed taught drawing at finishing
schools by some wretched drawing-master; instructed in
the production of sickly rose groups, or set pencil landscapes,
in which the usual formula is half a dozen woolly
trees, a church spire of course, and three crows to enliven
the vast expanse of sky. Here we see the blind, indeed,
leading the blind. The daughters who do not go to finishing
schools have never been taught even how to make a
straight line. Yet watch them working at the schools of
design. Intelligent young girls, whose dress betokens the
struggles of the homes from which they issue, after a year's
study handle the crayon with a freedom and boldness ,that
at once dissipates the notion that art is not for them. The
secret of their success is, that they have adopted drawing
as a profession. How many thousands of respectable
young girls there are in this country predestined to labour
for their bread, whose parents know that they must do so, yet we find them left
utterly untrained for any really useful purpose in life. The curate, with his proverbially large
family of girls, brings up his fair family to present poverty
and to the prospect of bitter struggles to sustain life when
he is gone. They may some of them marry, but the
chances are against them; some of them will, in all probability, descend to the posts of nursery governesses, or of
female companions. If that terrible Mrs. Grundy would
cease to tyrannize as she does, why may not this fair family
determine with woman's courage to prepare to do woman's
work? The means, even of the curate, would suffice to give
them admittance to the schools of design, and then Rose
may take wood engraving as a profession. The abolition of
the paper duty will give an immense impetus to literature, [-269-]
and artistic labour such as hers will be in great demand ; and
Mary, why should she not be a modeller for the jeweller?
and Kate, why should she not enter the field of art, as a
painter? We can imagine a family thus working at their
different art tasks with somewhat more satisfaction than in
reading insipid novels, or embroidering fierce brigands
in worsted work, in which the coarseness of the canvass
causes that delightful man's nose to ascend in a series of
well defined steps. In the one case they would work with
the feeling of real artists, and therefore their labour would
be a labour of love, and we may add, of profit also.
Mr. Bennett, who has laboured so earnestly to open the
manufacture of watches to women, told us an anecdote the
other day, which illustrates at once the difficulties women
have to contend with (from the other sex, we are sorry to
say,) in making their way into a sphere of labour hitherto
considered sacred to the men, and the success that attended
their courageous efforts. Three young ladies, after a preliminary
training at the Marlborough House School of
Design, applied to him for occupation in engraving the
backs of gold watches. Although perfect strangers to this
kind of work, in six months, he tells us, they became as
practised artists as a mere apprentice would have been in
six years. At the end of this time, when they were
making each three pounds a week by their labour, the men
in the shop struck. These "foreigners," as they were
termed, must go, or they would; and Mr. Bennett was
obliged, sadly against his will, to comply with their wishes.
These brave girls, however, were not to be beaten; they
immediately turned their attention to engraving on glass,
and are now employed at this delicate employment, and [-270-]
earn as much thereat as they did before at watch engraving.
What these young girls did, thousands of well-educated
young ladies may do also. And yet, despite Mrs. Grundy,
we dare maintain that to engrave a watch, or to embellish
the crystal for our table, is quite as elevated an occupation
as to see that Master Tommy's nose is properly wiped, or
that his linen is duly cared for.
We have instanced the decoration of watches and of
glass as mere instances in point. The delicate female
hand, the most beautiful and pliant instrument in the
world, once thoroughly educated, the whole world of design is opened to her, and
the field of her labour is almost boundless. There is scarcely an article of home manufacture
in which we have advanced much beyond the rude
old Saxon style. Every article of household use, as far as
design is concerned, has to be reformed, and will be, as our
tastes advance. Why, then, should not the trained female artist
hasten to share the work with her brother-artist?
But why need we stop at the fine arts, when we look
around for employment for intelligent female labour? We
trust Clerkenwell will not demolish us, for alluding to
watchmaking as an art that seems to demand the exercise
of the female hand. "I cannot get on without the
woman's hand," says John Bennett, in a letter to the
Times, and he very justly points to the Swiss watch,
which is now rapidly taking the place of the English
second-class watch. He calculated that no less than
200,000 of these watches are imported or smuggled annually
into England, whilst 187,000 is the whole produce of
English watchmakers. In order to discover the reason of
their very cheap and beautiful production of watches, he [-271-]
determined to go to Switzerland himself, and the reason
was soon apparent. He found that no less than 20,000
women were employed in Neufchatel alone in making the
more delicate parts of the watch movement, — not cooped up
in squalid courts as the men are in Clerkenwell, but in
their own cottage homes on the slopes of the Jura., overlooking
the beautiful Lake Leman.
The foundation of their art, it must be remembered, is
their intellectual culture; every woman thus employed is well educated; if she
were not, her fingers would lack that subtle intelligence so necessary to the
calling of a watchmaker. The manner in which the labour is divided is also
remarkable. Every workwoman and workman (for the labour of the former, instead
of superseding that of the latter, only calls it into more active existence for
the production of the heavier work) selecting exactly that
portion of the watch-movement which he and she can do best.
They have also a decimal standard gauge for all the different portions of the wheel-works; in this manner all the
parts are interchangeable, just as those of the Enfield rifles
are with us. Our great London watchmakers are too high
and mighty to descend to this levelling process; consequently,
we hear of Frodsham's size, Dent's size, or
Bennett's size, but of no standard size that all watchmakers
can work to. Moreover, among these rural districts, where
one would think that manufactures were carried on in the
most primitive manner, we find, on the contrary, the greatest
system possible prevailing in this particular trade. In
consequence of every workman and every workwoman
being registered, together with the exact nature of the
work they do, any of the wholesale manufacturers, by [-272-]
using the telegraph, can procure, within a few hours, the details of the
watch-movement to any extent. The facilities in this metropolis, which is a
kingdom within itself, for such an admirable division of labour and
concentration at will of its products at the command of the watchmaker
are very great; the labour also is but too plentiful, were it
only trained.
Mrs. Grundy would doubtless turn up her nose at intelligent
and educated Englishwomen directing their attention
to a mechanical trade, forgetting that shirtmaking also is
a mechanical trade, and that the needle and thimble are
as much tools as the fine implements used in watchmaking;
nay, and much coarser tools too. In Switzerland 20,000
women in this trade earn on an average fifteen shillings a
week, which goes as far in their country as double that
sum would in London. Here, then, is another occupation,
that, to intelligent women, would prove a perfect mine of
wealth, and most heartily we trust that Mr. Bennett will
be successful in his attempts to open it to the intelligence
of women. It is in vain that we sing the "Song of the
the Shirt," and get up annual subscriptions for downstricken
sempstresses. It is in vain that we hold midnight
tea-meetings to tempt Lorettes from their evil courses; as
long as we shut young women out from honourable means of
employment, so long will their labour be a drug in the
market, and their degradation but too facile a matter to
the tempter.