see Henry Mayhew in London Labour and the London Poor - click here
and Henry Mayhew Letter XIII Morning Chronicle - click here
A man passes us, laden with hot peas, and on all
sides
finds ready purchasers. His cry of invitation is peculiar -
though not elegant- " Now then, ere you are! Ot peas!
Ot peas! Fill your bellies, and warm your 'ands - on' y a ha'penny!" and his can is quickly emptied by the
Hebrew gourmands who surround him. But what is this? this
most delectable odour which assails us ?-this bubbling, frizzling sound that meets our ears ?-that makes the nostrils of
Judah distend, the eyes of Israel dilate with joy, while the lips
water with expectation ?-Fried fish. A fish-shop throws its
cheerful glare into the chilly night. We will halt for a moment, and inspect its
interior, - one of many of a similar
character which abound in the neighbourhood.
The first thing which arrests our attention, after having
feasted our eyes upon the rows of crisp brown fish that decorate the
window, is the large fire within, which has a fiercely jolly look, like the face of a giant
who has taken to drinking;
but which comforts us nevertheless, till we forget this raw
December night, which encompasses us about. The shop is tenanted by a family of five-a mother, her three daughters,
and an only son, the heir to the house of Manasseh. The
mother, though obese, is comely to look upon, with eyes of
melting lustre, and nose, whose size, and lips, whose pulpy fulness, indicate her race.
She stands by the fire, the presiding genius of the frying-pan, whose handle she holds
firmly, as hardy mariner the good ship's helm. She grasps
her fork like a harpoon, and, with steady eye, watches the sea of hissing, bubbling oil. Each moment
the fork descends, and transfixes a fish, till one by one the rich brown spoil
lies heaped up within the confines of the dish, while the
frying-pan bubbles and hisses with impatience, calling loudly,
like the horse-leech's daughters, for more. With a look which might become the mother of the
Gracchi, Rachel
stands among her children; only suspending her labours to
use the fork as a weapon of offence upon the curly head of
her ill-conducted offspring, Jacob, who, hovering about the
fragrant heap, is ever ready to pounce upon the interdicted
hut too tempting morsels.
The elder daughter of the house stands near her mother, with the face and presence of her namesake, Judith. She is
cutting the fish in slices, preparing them for their hot bath
in the hissing pan; and we shiver as we hear the keen knife
crash through the bone, and strike the table beneath; we
shiver, for we are gazing into those large, dark, scornful eyes,
and are thinking of the head of Holofernes. Leah, the second
daughter, is carefully sewing some tinsel on an old satin
slipper, and is singing a popular song to the interesting accompaniment of the frying-pan. She
is the genius of her
family, as a very dirty face and extremely slatternly appearance sufficiently testify. She is a "professional," being under
an engagement at a neighbouring theatre, where she is suspended nightly, like the coffin of the Arabian prophet, between
heaven and earth, as a fairy sylph or gnome, and thus
increases the stock of half-crowns in the paternal, coffers. Sarah, the youngest of the Hebrew Graces, is indulging in a
series of skirmishes with the unruly Jacob, upon whom -
much to that young martyr's disgust - she exercises a vigi
lant surveillance.
Hiss-bubble-bubble-goes the pan, as a fresh shoal of
fish plunge into it; and- " Come along," says our friend,
placing his hand, by force of habit, on our collar. We go
along accordingly, though not without another look upon the
shop and its contents. O, daughters of Judah, even Mr.
Spooner will not deny that there is yet one triumph left
you-ye fry fish well!
Watts Phillips, The Wild Tribes of London, 1855